Skip to main content

Trio Kenwood KD-1033 turntable main bearing service

  One of my first posts in this blog was regarding the servicing of the Pioneer PL12D turntable, and that has proven to be the most popular by a significant margin. The Pioneer PL12D had its competitors, and probably the most popular alternative was the Trio Kenwood KD-1033 turntable. I use both names (Trio and Kenwood) as the company operated under different names in different markets. In the UK they were Trio, possibly because the brand Kenwood was most famous here for food blenders. 95% of a KD-1033 is similar to  Pioneer PL12D, and servicing them is very much the same process. Both are belt drive , have an AC synchronous motor,  mechanical speed change , a main bearing, sprung top deck and rubber motor mounts. the KD-1033 uses a different type of anti skate mechanism, employing a thread and weight. The plinth is shallower with an internal cross brace. One aspect that is different is the design of the main bearing, and servicing it is a little harder than a PL12D. The Pioneer main b

Kef Cresta speaker renovation

Left had example is 1968 ( one of a pair). Right hand example is 1970 model ( one of pair)
I recently managed to acquire two pairs of vintage Kef Cresta speakers. These are the original speakers to bare this name, one pair date from 1968, the other from 1970 according to the makers hand signed labels.

With original failed T27 tweeters
 

I purchased both pairs from a nearby charity shop where they looked a bit forgotten. Their styling is rather dated, or possibly retro 70s depending on your viewpoint. What makes them particularly interesting is that they were one of the first speakers to use the combination of the Kef T27 tweeter and B110 mid-range/woofer. This same combination was subsequently used in the Legendary LS3/5a speaker, which i also own a pair of. I was interested to see how they compared.

 

Of the two pairs, the earlier 1968 pair were slightly better made. The cabinets of both are chipboard, not the ply of the ls3/5a. The 1968 unit had black grilles and a better veneer. The 1970 unit had hessian grilles and a cheaper looking veneer, though again this may be down to the tastes of that era.

With two sons of college age i decided these speakers would work well for bedroom systems, especially as they don't look expensive .

On playing both pairs i found that the tweeters were blown in the earlier pair and this was confirmed when i removed them and put a multimeter in continuity mode across the wire tabs. Both open circuit.

I decided to move the tweeters from the later pair into the earlier ones, as they were in better condition and were visually more appealing.

Removing the drivers revealed the crossover which is a very simple affair , only 3 components - 2inductors and one 4 uF bipolar cap this is very different from the LS3/5 a crossover which has more than 15 components.

The 68 pair sounded very nice. Not much bass and none of the LS3/5a bass-hump but a good sound. I polished the cabinets and put these aside as the pair now working in original condition.

Note : tweeter already removed, nut crushed under woofer
This left me with jthe quandry of what to do with the 1970 pair. I removed the B110 units to check them. There is a very active second hand market for both sets of drivers and i could have sold the units. These are the very early 4 ohm units and not actually compatible with the laters ones used in the LS3/5a anyway, but im sure i could have sold them

Worse, in removing one bass unit the spiked nut which the bolt from the front engages with, started to tuen, and in the end some of the chipboard around the hole broke away.

I pondered this but was determined not to discard these cabinets despite their age and chipboard construction.

With good advice from the always helpful diyaudio forum, especially member system7, i glued a plywood brace behind the broken hole and built it up with plastic wood. A good sand, then a quick spray of black paint and the speaker mounting recess looked as good as before. I got a new through bolt and its crown shaped nut which has spikes which pull and Dig into the wood from the back.

Next what to do about the tweeters. T27 are no longer made and command high prices. However Falcon acoustics sell a Morel CAT298 tweeter which is a drop in replacement even down to the screw hole positions, so i ordered a pair of these.

The B110 drivers had no indication of polarity, and while i had taken pictures during the strip down , i was a bit confused about their polarity. Once again diyaudio came to the rescue and i used a 1.5v AA battery , touching the two driver wires to it. I could see the polarity by way caused the speaker to push out rather than pull in.

Using an AA battery to determine driver polarity
I also ordered some extra foam panels to line the inside with to reduce some cabinet hollowness i noted. I refitted the morel drivers and installed the foam inside along the walls. I refitted the woofers using draught excluder to create new gaskets.

Original caps and blue alcap replacements
Listening was very nice. The speakers had a very sweet sound , but again little bass. I was advised on the forum that the cross over bipolar caps had probably drifted in value. The originals had a + symbol at each end but looked like plastic film caps. However they were much too small for their given value of 4uF. I ordered and am fitting some new Alcap brand 4uF bipolar caps from Falcon and refitted these in the hope that perhaps the bass would improve. Ill update the post when i have had a chance to listen

Left hand unit is one of the 1968 pair with T27. Right hand example is one of the 1970 pair both of which got new Morel cat298 replacement drivers
 

Well having replaced the bipolar cap in each speaker and checked the bass polarity, i did a bit of testing using iTunes, a T- amp and some familiar sources. Sound was very good. Treble still very sweet with the Morel, and the bass was good. Perhaps listening in the bay helped reinforce it but no problem with the bass in "Come Together" and the drum solo in "carry that weight". Much like LS3/5as in fact which is what you'd expect given similar cabinet volume and the same compliment of drivers.

Comments

M G Miles said…
You appear to have made good choice in using the Morel tweeters. Good to hear thet the treble end of the audio spectrum has met your expectations. I suspect tweeter technology has improved since the KEF T27 was developed.

Popular posts from this blog

Restoring a Pioneer PL-12D Turntable

 I got back into vinyl records about 18 months ago, and have collected a few hundred albums, mostly second hand. I have a number of turntables (NAD 5120, Ariston QDeck, Pioneer PL12D ) which I got also second hand. I keep a few, some end up passed onto friends, some that are too far gone are kept for spares. In most cases they have required a little work to get them running again. Last week I was lucky enough to get a Pioneer PL-12D turntable from freecycle. The lady who offered it, said that she in turn had received it from freecycle , and had replaced the belt but couldn't get on with the springiness of it, and had got a modern USB turntable. I have previously worked on one of these decks, and know what she means about the suspension system used. While this blog is specifically about this particular model of deck, many of the concepts are similar to others from this vintage. Many Japanese belt drive decks throughout the  1970's shared very similar construction, so this ma

Bracing IKEA EXPEDIT or KALLAX cabinets for greater rigidity when used with a turntable

The inevitable problem, too many records. Turntable and amplifier on top Like many record collectors around the world, I have a number of IKEA cube cabinets from both their EXPEDIT (older) and KALLAX (newer) ranges. These are easy to make, cheap to buy and perfect for record storage. The system comes flat packed and uses bolts and dowels to hold the system together. If you follow the instructions  the system is strong and should not collapse. You can augment the joints with PVA wood glue for extra strength. My turntable sits on top of an EXPEDIT 2x4 cabinet, laid along the long side, with some felt feet to support it from the floor, and you can use KALLAX in the same way. It's been great but has two problems I wanted to address : 1) Because the system has no back panel, the records  can be pushed too far back. 2) While the structure is strong and fairly rigid, there was some lateral movement. With heavy equipment on top, I found that if I nudged or knocked either top side, this all

a vintage Sonab 85S / Yamaha CP-500 turntable

The Sonab 85S turntable You'll see from this blog that I'm interested in vintage audio equipment , especially turntables and speakers. I keep an eye on ebay for potential bargains, and saw this turntable listed quite close to me and for a very good price, £60 buy it now, including 45 adapter, dust bug, DIN adapter, record clamp and a very nice Shure M95 cartridge. Condition listed as very good and with the original sonab headshell. I've been interested in this deck for sometime, as to my eyes , it's a particularly nice design, with the very simple tonearm and deep chassis. I was aware that the model , from the late 70's was a cooperation between Swedish manufacturer Sonab and Yamaha. I don't know how much was contributed by which firm, but the same deck, or one very similar is also to be found as the Yamaha CP-500, though typically in teak rather than black. There were two Sonab models , the 75 and 85, the former being a manual  deck, the latter an automatic, an